Made with Nano Banana 2 Lite · CC0 · 3 Oct 2026

Flat colour

Generated from: a scene from a small video game about: Create a playable survival-horror game prototype. ## CONCEPT The player is trapped inside a huge, maze-like liminal complex consisting of yellowed hallways, dark maintenance corridors, enormous empty rooms, industrial areas and long sightlines. The environment should feel physically believable, oppressive and endless. The player is NOT a powerful combat character. Survival depends on movement, navigation, hiding and awareness. ## MAIN ENEMY — PIRATE CLARK Pirate Clark is the primary monster. Make him approximately 9+ feet tall. He is extremely heavy and imposing. His movement is slow, deliberate and physical. He should make normal doorways and rooms feel too small. His primary behavior is slowly hunting the player. A major horror mechanic is that the player can often see him from very far away. Example: The player enters a huge corridor. Pirate Clark is standing hundreds of feet away. He notices the player. He slowly begins walking toward them. The player has time to run, hide or change direction. Do NOT make him constantly sprint. ## AI Implement these basic states: * Idle/wandering * Distant approach * Pursuit * Searching * Close-range ambush Clark should navigate the actual environment rather than teleporting around. If the player breaks line of sight, Clark searches the last known location. Occasionally he should approach from a direction the player cannot see, creating a close-range surprise encounter. ## ATTACK When Clark catches the player, he grabs them and eats them rather than performing a normal attack. Make the encounter physical and frightening. Avoid turning it into an action-game combat sequence. ## CORPSE PERSISTENCE This is a core mechanic. After killing someone, Pirate Clark can drag their body through the complex. Bodies remain in the world. The player can later discover: * A corpse lying in a hallway * A body dragged around a corner * A corpse left beside a doorway * A body in an area previously explored * Clark still standing beside a corpse * Clark dragging a corpse away Do not automatically despawn corpses. The complex should gradually accumulate evidence of previous encounters. The player should feel that the world remembers what happened. ## AUDIO Use atmospheric horror music and environmental sound. When Clark is visible and approaching, gradually introduce music. The music should build tension while he is still far away. Use: * Heavy footsteps * Distant echoes * Fluorescent buzzing * Ventilation * Pipes * Mechanical noises * Room ambience * Directional audio Avoid relying on constant jumpscares. ## PLAYER Use slow, weighty survival-horror movement. Include: * Walking * Sprinting * Stamina * Physical-feeling acceleration * Heavy turning * Collision * Doors/interactions The player should feel vulnerable. ## ENVIRONMENT Generate a large interconnected maze containing: 1. Yellow fluorescent hallways 2. Dark service corridors 3. Large empty liminal rooms 4. Industrial maintenance areas 5. Storage areas 6. Utility rooms 7. Long corridors with extreme sightlines Use repeating architecture without making every room identical. Include landmarks so the player can gradually learn the environment. ## GAMEPLAY Create a simple objective such as restoring power and reaching an exit. The gameplay loop is: EXPLORE → HEAR/SEE CLARK → ESCAPE OR HIDE → CONTINUE EXPLORING → DISCOVER CORPSES → ENCOUNTER CLARK AGAIN. No traditional weapon system is necessary. ## VISUAL STYLE Aim for realistic modern survival-horror graphics. Prioritize: * Realistic lighting * Detailed materials * Volumetric atmosphere * Realistic shadows * High-quality environments * Physical animation * Strong sense of scale The game should feel like a serious modern horror game rather than a simple Backrooms walking simulator. ## MOST IMPORTANT DESIGN PRINCIPLE The fear comes from physical presence and anticipation. A gigantic figure slowly approaching from the far end of a corridor should be frightening even when nothing is attacking the player. Sometimes the player should see Clark coming. Sometimes the player should realize he is already nearby. Build the prototype around this contrast. ## BUILD REQUIREMENT Do not generate only concept art or a design document. Actually create a playable prototype with: * Navigable environment * Player controller * Pirate Clark model * Enemy AI * Detection * Pursuit * Hiding/line-of-sight * Attack/death * Music/audio * Persistent corpses * At least one objective * Checkpoint/restart system Prioritize getting the playable core loop working before adding extra features., as an in-game screenshot in flat colour 2D shapes with a bright limited palette. Palette: sky blue #8ecae6, grass #3a7d44, player sunflower #ffb703, threat red #d62828, accent white #fdfcdc. Everything is original: never draw or resemble characters, places or logos from existing games, films or brands (no red-capped plumbers, no famous mascots), even when the idea names one. Keep the pictures honest: they promise what a small first version of this game, made in a game engine in a few days, can look like. Simple readable shapes, clear silhouettes, few flat materials, the in-game camera view. Never film stills, photoreal renders, AAA key art, detailed textures, cinematic lighting, or anything that looks like a big-studio game. No text, UI, HUD, logos or editor screens inside any image.