Made with Nano Banana 2 Lite · CC0 · 3 Oct 2026

Flat colour

Generated from: a scene from a small video game about: CREATE A COMPLETE PLAYABLE 2D GAME PROJECT CALLED: totyمِصباح This is a full game project, not a demo, pr o, mockup, concept, or vertical slice. Build the actual playable game with its complete story structure, gameplay systems, characters, environments, quests, puzzles, photography mechanics, biology mechanics, journal, map, dialogue, progression, and ending. Do not replace this concept with a generic game. Do not invent a different genre. Do not simplify the story into a short demo. If the complete game cannot be generated in one operation, create the complete project architecture and implement as much of t he actual game as possible while preserving every requirement below. Never replace missing systems with fake screenshots or descriptions. ================================================== 1. GAME TYPE ================================================== Genre: 2D narrative adventure Exploration Mystery Photography Biology Environmental puzzles Emotional coming-of-age story The game has: NO combat NO weapons NO monsters NO enemies NO horror NO supernatural powers NO fantasy world The core gameplay loop is: EXPLORE → OBSERVE → PHOTOGRAPH → INVESTIGATE → TALK → SOLVE → DISCOVER ================================================== 2. MAIN CHARACTER The player controls: ألماس ألماس is a Saudi teenage girl. She is: * curious * observant * thoughtful * interested in biology 3. THE STORY The emotion* interested in photography * fascinated by small details in nature She wears a hijab. She should look like a believable teenager, not an adult. Her clothing should be modest, natural, modern, and culturally appropriate. ================================================== center of the story is: مريم مريم was once extremely important to ألماس. She taught ألماس how to observe the world. She taught her to notice: plants flowers butterflies insects trees fungi small animals environmental changes One of مريم’s important ideas is: “لا تمرين على شيء حي وكأنه مجرد شيء.” Over time, مريم gradually becam e distant from ألماس. IMPORTANT: مريم did NOT die. مريم did NOT disappear. مريم was NOT kidnapped. مريم is NOT ألماس’s mother. There is no supernatural explanation. The story is about what happens when someone who shaped your way of seeing the world is no longer close to you. ================================================== central mysteri4. THE RESEMBLANCE ألماس and مريم look strangely similar even though they are not related. They share subtle similarities: * eyes * expressions * posture * head movements * mannerisms * the way they observe * the way they think People who knew مريم sometimes mistake ألماس for someone related to her. This resemblance is one of th e. IMPORTANT: Never reveal that: * مريم is ألماس’s biological mother * they are clones * they are the same person * there is time travel * there is an identity swap The explanation must remain human and emotional. ================================================== 5. OPENING SCENE The game MUST begin with a memory. Young ألماس stands beside a tiny plant growing through a crack in an old wall. مريم is beside her. Dialogue: مريم: “ألماس… وش تشوفين؟” ألماس: “نبتة.” مريم: “هذا اسمها. سألتك وش تشوفين.” ألماس looks closer. ألماس: “شيء المفروض ما يقدر يعيش هنا… بس عاش.” مريم: “الحين شفتيها.” Transition to the present. The same place appears years later. The plant has grown. مريم is no longer beside ألماس. Teenage ألماس is standing alone. The player receives control of ألماس. ==== ============================================== 6. FIRST PLAYABLE AREA Create a warm, realistic old neighborhood. Include: * old walls * narrow streets * houses * plants * trees * benches * small paths * environmental details * places to photograph * biological observations The player can freely explore. ================================================== 7. FIRST QUEST Quest: “الشيء الذي كانت مريم تراه” ألماس remembers the plant from her childhood. The player explores the neighborhood looking for a living thing that reminds ألماس of what مريم taught her. The player photographs it. The photograph is added to the journal. A short memory of مريم is triggered. Then ألماس notices a mysterious symbol nearby. This becomes the first major clue. This must be actual gameplay. Do NOT make it simply a text desc ription. ================================================== 8. IMPORTANT STORY SCENE An older woman sees ألماس. She asks: “أمك وين راحت؟” ألماس: “أمي؟ من وين تعرفين أمي؟” The woman: “مريم.” ألماس: “مريم مو أمي.” The woman: “غريبة…” This is a major turning point. ألماس begins questioning why people keep seeing مريم when they look at her. ================================================== 9. CHARACTERS مريم Adult woman. Wears hijab. Important person from ألماس’s past. Not her mother. Not supernatural. ⸻ لمار Young adult woman. Archive worker. Knew مريم. Wears hijab. Notices the resemblance between ألماس and مريم. ⸻ سيف Young adult man in his 20s. Photographer. Knew مريم. Knows information about her past. IMPORTANT: He must look like a young adult. Do NOT make him look 40. No gray hair. No d eep wrinkles. No middle-aged appearance. ⸻ الين Young adult woman. Science and biology oriented. Wears hijab. Helps ألماس understand biological clues. ⸻ ليان Young adult woman. Map-maker. Wears hijab. Knows hidden paths. ⸻ مشاري Young adult man in his 20s. Repairs old cameras and electronic devices. IMPORTANT: He must look like a young adult. Do NOT make him look 40. No gray hair. No deep wrinkles. E WORLD Create one coNo middle-aged appearance. ================================================== 10. CULTURAL CHARACTER DESIGN All female characters must wear hijab: ألماس مريم لمار الين ليان Clothing should be: * modest * natural * modern * culturally appropriate * visually coherent Do not show uncovered hair. Do not make the hijab look like an accessory added afterward. ================================================== 11. GA Mted world containing: 1. ألماس’s house 2. old neighborhood 3. biological garden 4. archive 5. café 6. glasshouse 7. hill Locations should feel like parts of the same world. Important locations can be revisited. ================================================== 12. CAMERA SYSTEM ألماس has a camera. Implement three camera modes. NORMAL LENS: Photograph: * plants * insects * objects * locations * clues FOCUS LENS: Inspect: * biological details servations can* small symbols * environmental clues * hidden details ECHO LENS: Reveal subtle visual traces or memories connected to certain locations. Echo Lens is NOT time travel. It is an artistic environmental storytelling mechanic. ================================================== 13. BIOLOGY SYSTEM Biology is part of exploration. The player can observe: * plants * flowers * butterflies * insects * trees * fungi * small animals * environmental changes O b * reveal clues * unlock journal entries * help solve puzzles * reveal environmental relationships Do NOT turn this into a school quiz. ================================================== 14. JOURNAL SYSTEM Create a personal journal for ألماس. It contains: * photographs * biological observations * sketches * memories * clues * character information * locations * mysterious symbols * discoveries The journal should fill naturally as the player progresses. ================================================== 15. MAP Create an in-game map showing the major locations. The map should gradually reveal information as ألماس explores. ================================================== 16. QUEST SYSTEM Quests must be investigative and story-driven. Avoid repetitive fetch quests. Examples: * discover why butterflies appear in a specific location * find the photograph لمار refuses to show * follow marks on the glasshouse windows * compare an old photograph with the curren, as an in-game screenshot in flat colour 2D shapes with a bright limited palette. Palette: sky blue #8ecae6, grass #3a7d44, player sunflower #ffb703, threat red #d62828, accent white #fdfcdc. Everything is original: never draw or resemble characters, places or logos from existing games, films or brands (no red-capped plumbers, no famous mascots), even when the idea names one. Keep the pictures honest: they promise what a small first version of this game, made in a game engine in a few days, can look like. Simple readable shapes, clear silhouettes, few flat materials, the in-game camera view. Never film stills, photoreal renders, AAA key art, detailed textures, cinematic lighting, or anything that looks like a big-studio game. No text, UI, HUD, logos or editor screens inside any image.